TGPSC Daily Current Affairs - 31st December 2025
Source: Deccan Chronicle
Relevance:
TGPSC GROUP 1 Paper-II: History, Culture and Geography
Important Key Concepts for Prelims and Mains:
For Prelims:
- Nagoba Jatara, Mesram Tribe, Gangajal Padayatra, Keslapur, Hastanamadugu, Godavari River, Adivasi Culture, Serpent Deity, Tribal Festivals
For Mains:
- Tribal Identity, Indigenous Religious Practices, Cultural Continuity, Community Participation, Intangible Cultural Heritage, Social Capital in Tribal Societies
Why in News?
Members of the Adivasi Mesram clan in Telangana have begun their annual Gangajal Padayatra, undertaking a barefoot trek of over 150 km in harsh winter conditions to collect sacred water from the Godavari river for rituals associated with the Nagoba (Keslapur) Jatara.
Background: Nagoba Jatara and the Mesram Clan
The Nagoba Jatara is one of the most important tribal festivals of Telangana and the second-largest tribal congregation after the Sammakka–Saralamma Jatara. It is centred around the worship of Nagoba, the serpentine tribal deity, and is deeply rooted in the spiritual life of the Mesram clan, a prominent Adivasi community of the Adilabad region.
The Gangajal Padayatra: Ritual and Route
Over 100 Mesram clan members have commenced the pilgrimage on foot from the Nagoba Temple at Keslapur, braving temperatures dropping to nearly 6°C.
- Festival: Nagoba Jatara
- Tribe: Gond (Mesaram clan)
- Location: Keslapur village, Inderavelly Mandal, Adilabad district, Telangana
- Significance: Second-largest tribal festival in India
- Duration: ~7–10 days (Jan–Feb)
- Nagoba / Persa Pen – Great God (serpent & ancestral deity)
- Gangajal Padayatra:
- Sacred water fetched from Godavari River
- Collection point: Hastina Madugu
- Carried in 1,400-year-old brass vessel (Jhari)
- Abhishekam:
- Gangajal used to purify idol (once in idol’s lifetime)
- Mahapuja:
- Night ritual marking start of annual fair
- Bheting Ceremony:
- Formal induction of newly married Gond women
- White saris; offerings in bamboo baskets
- Major Dance: Gusadi Dance
- Nature Link: Bamboo, forest rituals, ancestor worship
- Communities attend from MH, CG, MP, Odisha, Karnataka, Jharkhand
- Uses clay pots and traditional utensils only
- Held near forested tribal belt
The pilgrims will reach the Godavari river at Hastanamadugu (near Kalamadugu village in Mancherial district) by January 7, traversing forested and hilly terrain across Narnoor,
Lingapur and Dasturabad mandals.
As per tradition, the sacred water is drawn in a 1,400-year-old brass vessel (jhari) after performing Gangapuja and prayers to the river goddess.
Religious Significance of Gangajal
The collected Gangajal is carried back to Keslapur and used for:
- Cleansing the idols
- Performing sacred rituals
- Conducting the Mahapuja on the night of January 18, which marks the ceremonial climax of the Nagoba Jatara
The five-day jatara culminates on January 18, symbolising renewal, fertility, and protection for the community.
Community Support and Traditional Practices
During the padayatra, the pilgrims observe “Mukam”, halting at pre-identified locations. Villagers along the route provide food and shelter, reflecting strong community participation and tribal solidarity.
The Mesram clan also follows strict ritual practices, including:
- Use of only clay pots and utensils, traditionally crafted by a potter family from Sirikonda mandal
- Traditional publicity of the jatara through bullock-cart processions in surrounding villages
Key Ritual Events Ahead
- January 7: Collection of Gangajal at Hastanamadugu
- January 14: Return to Indervelli mandal headquarters and special prayers at Indrayidevi Temple
- January 18: Mahapuja and culmination of Nagoba Jatara
- January 22: Traditional Darbar at Nagoba Temple, reaffirming customary tribal governance
According to Nagoba Temple Peetadhipati Mesram Venkatrao, all rituals are being conducted strictly in accordance with ancestral traditions.
Significance for Tribal Culture and Identity
The Gangajal Padayatra highlights:
- Continuity of indigenous belief systems
- Deep ecological and spiritual connection with rivers and forests
- Collective memory and identity of Adivasi communities
- Resilience of tribal traditions despite modern pressures
Conclusion
The annual Gangajal Padayatra of the Mesram clan is not merely a religious journey but a living expression of tribal heritage, social cohesion, and cultural resilience. Braving winter chill and rugged terrain, the Adivasis reaffirm their commitment to ancestral traditions, ensuring that the spiritual and cultural legacy of the Nagoba Jatara continues to thrive in contemporary Telangana
CARE MCQ
Q. Consider the following statements regarding Nagoba Jatara:
- Nagoba Jatara is a tribal festival celebrated by the Mesaram clan of the Gond tribe in Adilabad district.
- The chief deity worshipped during the festival is Nagoba, represented by a cobra.
Which of the statements given above is/are correct?
- 1 only
- 2 only
- Both 1 and 2
- Neither 1 nor 2
Answer: C
Statement 1 is correct:
- Nagoba Jatara is one of the most important tribal festivals of Telangana, held at Keslapur village in Adilabad district.
- It is celebrated mainly by the Mesaram clan of the Gond tribe and continues for about 10 days, usually during January–February.
- The festival attracts tribal communities not only from Telangana but also from Maharashtra, Chhattisgarh, Odisha, Karnataka, Jharkhand, and Madhya Pradesh, reflecting its wide cultural reach.
Statement 2 is correct:
- The presiding deity of the festival is Nagoba (also known as Sri Shek), symbolised by a cobra, which represents ancestral spirit worship and reverence for nature.
- Rituals during the Jatara reflect animistic beliefs, a key feature of Gond tribal religious traditions.
Source: The Hindu
Relevance:
GS Paper I – Indian Culture, Art & Architecture (Maritime Heritage)
GS Paper III – Indigenous Technology, Knowledge Systems
Important Key Concepts for Prelims and Mains:
For Prelims:
- INSV Kaundinya, Stitched Ship, Ajanta Caves, Tankai Method, Coir Rope, Indigenous Shipbuilding, Maritime Heritage, Indian Ocean Trade Routes
For Mains:
- Maritime Civilisation, Indigenous Knowledge Systems (IKS), Cultural Diplomacy, Archaeology–Technology Interface, Soft Power Projection, Heritage Revival
Why in News?
The Indian Navy’s stitched sailing vessel INSV Kaundinya has commenced its maiden overseas voyage from Porbandar (Gujarat) to Muscat (Oman), symbolically retracing ancient Indian Ocean maritime routes that once connected India with West Asia, Africa, and Southeast Asia.
Background: India’s Stitched Ship Tradition
India possesses one of the world’s oldest seafaring traditions. Long before the advent of modern navigation and metal-hulled ships, Indian mariners built stitched vessels using wooden planks bound together with coconut coir ropes and sealed with natural resins.
- Such vessels are referenced in literary sources, archaeological findings, and visual depictions, notably the 5th century CE Ajanta Cave paintings.
- These ships enabled sustained trade, migration, and cultural exchange across the Indian Ocean world.
INSV Kaundinya: Design and Construction
INSV Kaundinya is a faithful recreation of an ancient Indian sailing vessel, built using historically authentic techniques.
- Inspired by a ship depicted in the Ajanta murals (5th century CE)
- Constructed under a tripartite collaboration:
- Ministry of Culture
- Indian Navy
- Hodi Innovations
Traditional Craftsmanship
- Built using the Tankai method, where:
- Hull is stitched first
- Ribs are added later
- No metal or engines are used
- Wooden planks stitched with coir rope, sealed with natural resin, cotton, and oils
- Crafted by traditional artisans from Kerala, led by master shipwright Babu Sankaran
Technical Details
- Length: ~19.6 metres
- Width: ~6.5 metres
- Draft: ~3.33 metres
- Crew: ~15 trained sailors
- Powered entirely by wind and sail
Symbolism and Cultural Significance
INSV Kaundinya is not merely a vessel but a floating symbol of India’s maritime civilisation.
- Sail motifs: Gandabherunda and Sun – symbols of power and continuity
- Bow sculpture: Simha Yali – guardian figure signifying strength and protection
- Deck element: Harappan-style stone anchor, evoking early seafaring traditions
- Named after Kaundinya, the ancient Indian mariner associated with early voyages to Southeast Asia
Strategic and Civilisational Importance
Reviving Ancient Maritime Highways
- The Porbandar–Muscat route was historically a vital corridor for:
- Spice and textile trade
- Cultural and religious exchange
- Knowledge transmission
Soft Power and Cultural Diplomacy
- Demonstrates India’s civilisational depth and continuity
- Reinforces India’s identity as a historic maritime power, not merely a modern naval state
- Complements initiatives such as:
- Indian Ocean outreach
- Cultural diplomacy with Gulf and ASEAN regions
Challenges Highlighted
- Absence of original blueprints required reliance on artistic and archaeological interpretation
- Need to reconcile ancient design with modern safety and stability standards
- Limited public awareness of India’s indigenous maritime technologies
Way Forward
- Integrate such projects into heritage education and maritime museums
- Promote stitched ship voyages as part of cultural tourism and diplomacy
- Encourage interdisciplinary collaboration between:
- Archaeologists
- Naval architects
- Traditional artisans
- Use INSV Kaundinya as a model for reviving other indigenous technological traditions
Conclusion
INSV Kaundinya stands as a living testament to India’s ancient maritime ingenuity. By successfully recreating and sailing a stitched vessel across historic ocean routes, India has reaffirmed its civilisational engagement with the seas. The initiative bridges archaeology, indigenous knowledge, and modern naval expertise, strengthening India’s cultural soft power while restoring pride in its maritime past.
UPSC PYQ
Q. With reference to the Indian Ocean Rim Association for Regional Cooperation (IOR-ARC), consider the following statements: (2015)
- It was established very recently in response to incidents of piracy and accidents of oil spills.
- It is an alliance meant for maritime security only.
Which of the statements given above is/are correct?
- 1 only
- 2 only
- Both 1 and 2
- Neither 1 nor 2
Answer: D
CARE MCQ
Q. INSV Kaundinya, recently in the news for reviving India’s ancient maritime heritage, is distinctive because it:
- Uses a hybrid engine–sail propulsion system and welded metal hull
- Is powered solely by sails and constructed using the indigenous Tankai method
- Employs nuclear propulsion with a steel-reinforced hull
- Is operated by an unmanned autonomous navigation system
Answer: B
Explanation:
INSV Kaundinya is a traditional sailing vessel that relies entirely on wind propulsion. It is built using the Tankai method, an ancient Indian shipbuilding technique in which the hull is stitched first and ribs are added later, completely avoiding the use of metal.
Additional Information:
- The vessel is about 19.6 metres long and 6.5 metres wide, with a draft of 3.33 metres.
- It is operated by a crew of around 15 trained sailors.
- The project aims to recreate ancient Indian maritime practices and highlight India’s seafaring heritage in the Indian Ocean region.
Source: The Hindu
Relevance:
Facts for Prelims, GS Paper I – Medieval Indian History – Bhakti Movement, Indian Culture – Literature, Music, Dance, Theatre, Regional cultural traditions of Northeast India
Important Key Concepts for Prelims and Mains:
For Prelims:
- Batadrava Than / Borduwa, Mahapurush Srimanta Sankardeva Abhirbhav Kshetra, Srimanta Sankardeva, Neo-Vaishnavism, Ekasarana Nama Dharma, Namghar, Satra, Ankiya Naat, Bhaona, Sattriya Dance, Borgeet, Gayan-Bayan
For Mains:
- Bhakti movement in Northeast India, Cultural federalism, Religion as a tool of social integration, Preservation of living heritage, State role in cultural conservation
Why in News?
- Amit Shah inaugurated the ₹227-crore redeveloped Batadrava Than, the birthplace of Srimanta Sankardeva, in Assam’s Nagaon district.
- The project has been designed not merely as a tourism site, but as a cultural-spiritual complex reflecting the life, philosophy, and artistic legacy of Mahapurush Sankardeva and Assam’s Vaishnavite traditions.
About the Redevelopment Project
- Official Name: Mahapurush Srimanta Sankardeva Abhirbhav Kshetra
- Project Cost: ₹227 crore
- First Proposed: Assam State Budget 2021–22
Objectives
- Preserve Sankardeva’s religious, cultural, and artistic legacy
- Strengthen Assam’s Namghar–Satra ecosystem
- Promote heritage-based spiritual tourism
- Showcase Assam’s broader cultural traditions
Highlights of the Inauguration
- Presence of:
- Assam CM Himanta Biswa Sarma
- Union Ministers Sarbananda Sonowal and Pabitra Margherita
- Assam Cultural Minister Bimal Bora
- The Home Minister received a traditional Sattriya welcome through Gayan-Bayan (ritual singing and drumming).
- Visited the central sanctum housing the Guru Asana, the sacred seat of Sankardeva.
Who was Srimanta Sankardeva?
About
- Period: 15th–16th century (1449–1568)
- Region: Assam
- Role: Bhakti saint, philosopher, social reformer, poet, playwright, musician, dancer
- Holds a foundational position in Assam’s history, society, culture, and religious life
- His work initiated a new phase of Assamese literature and culture
- A major figure of the Indian Bhakti movement, especially in Eastern India
Early Life and Background
- Born: October 1449
- Family: Siromani Bhuyans (landed gentry)
- Undertook a transformative pilgrimage across North India in 1481
- Composed his first Borgeet at Badarikashrama (Badrinath)
- Faced opposition from:
- Orthodox religious groups
- Local rulers
- Shifted locations frequently due to persecution
- Died: 1568
Philosophical & Religious Contributions
Neo-Vaishnavism in Assam
- Founder and propagator of Eka-Sarana-Nama-Dharma (Mahapurushiya Dharma)
Core Principles
- Worship of a single deity – Vishnu as Krishna
- Essence lies in sarana (exclusive refuge) in one God
- Rejected:
- Idol worship
- Elaborate rituals
- Caste hierarchy
Forms of Bhakti Emphasised
Out of Navadha Bhakti, stressed only:
- Śravaṇa – Listening to God’s name and stories
- Kīrtana – Congregational chanting and singing
Social Vision
- Advocated universal brotherhood
- Unified Assam’s heterogeneous society (tribes, castes, languages) under Neo-Vaishnavism
Institutional Contributions
Namghars
- Community prayer halls
- Centres of:
- Congregational worship
- Social equality
- Moral discipline
- Open to all castes and communities
Satras
- Vaishnavite monasteries
- Centres for:
- Religious instruction
- Arts (music, dance, theatre)
Literary Contributions
- Translated 8 of the 12 books of the Bhagavata Purana into Brajavali
- Adi Dasama (Krishna’s childhood) – most popular section
Major Works
| Work | Description |
| Kirtana-Ghosha | Magnum opus; congregational devotional songs; one of Assam’s four sacred texts |
| Gunamala | Condensed Bhagavata Purana; composed in one night |
| Nimi Nava Siddhi Samvada | Doctrinal treatise |
| Bhakti Pradipa | Denounces worship of deities other than Krishna |
| Bhatimas | Innovative poetic form for praising God or Guru |
| HariScandra-Upakhyana | Early narrative work |
| Rukmini Harana Kavya | Early devotional kavya |
Contributions to Art & Culture
Ankiya Naats
- One-act plays with no divisions
- Written in Brajavali
- Blend:
- Religious philosophy
- Indigenous entertainment
- Classical Sanskrit drama
Bhaona
- Theatrical performance of Ankiya Naats
- Performed in Namghars
Sattriya Dance
- Originated in Satras
- Recognised as a classical dance form of India
- Governed by rules of rhythm, expression, and singing
Borgeets
- Devotional songs based on ragas and talas
- Around 240 composed
- Still actively sung today
Comparative Perspective & Culture
| Aspect | Shaivism | Vaishnavism | Neo-Vaishnavism (Ekasarana) |
| Supreme Deity | Shiva | Vishnu / avatars | Krishna alone |
| Region | South India, Kashmir | Pan-India | Assam & Northeast |
| Practice | Yoga, tantra | Temple worship | Naam-kirtan, no idols |
| Philosophy | Jnana / Tantra | Bhakti & surrender | Exclusive devotion, egalitarian |
| Key Figures | Adi Shankara | Ramanuja, Chaitanya | Sankardeva, Madhavdeva |
| Culture | Shaiva temples | Bhakti poetry | Namghars, Satras, Sattriya |
Legacy
- Namghars and Satras remain living institutions
- Sattriya, Bhaona, Borgeets, Kirtana-Ghosha continue as core elements of Assamese identity
- Sankardeva’s legacy sustains:
- Literature
- Music
- Dance
- Theatre
- Social harmony
Conclusion
The ₹227-crore redevelopment of Batadrava Than, combined with the enduring spiritual, cultural, and social legacy of Srimanta Sankardeva, reinforces Assam’s place in India’s Bhakti tradition. The initiative highlights how living cultural institutions, when supported by the State, can strengthen identity, inclusivity, and heritage-based development
UPSC PYQ
Q. With reference to the famous Sattriya dance, consider the following statements: (2014)
- Sattriya is a combination of music, dance and drama.
- It is a centuries-old living tradition of Vaishnavites of Assam.
- It is based on classical Ragas and Talas of devotional songs composed by Tulsidas, Kabir and Mirabai.
Which of the statements given above is/are correct?
- 1 only
- 1 and 2 only
- 2 and 3 only
- 1, 2 and 3
Ans: B
